Chelsea Eberly represents authors of middle grade, young adult, graphic novels, and women’s fiction, as well as writer-illustrators of picture books. As a former Senior Editor at Penguin Random House, she edited award-winning and New York Times bestselling authors such as Tamora Pierce, Leigh Bardugo, Marie Lu, Sarah J. Maas, Matt de la Peña, Mark Siegel, Julia Walton, and Jessica Cluess to name only a few. She has a deep understanding of how publishers think and is an expert advocate for her clients. Chelsea is also a Publishers Weekly Star Watch Honoree, which recognizes “the rising stars of the US publishing industry.”
A Midwesterner turned New Yorker, Chelsea regularly presents at writing conferences across the country and enjoys teaching craft. Follow her on Twitter at @chelseberly and discover more about her taste on her Publishers Marketplace page.
What Chelsea is seeking: High-concept, commercial reads that will stand out in a crowded market with depth and heart. She is actively building her list and is primarily interested in fantasy, magical realism, contemporary fiction (particularly romance, thrillers, and humor), and graphic novels—though please surprise her with an excellent read that she didn’t know she needed. She has a soft spot for literary when there’s also a strong plot propelling the reader forward. Chelsea would love to see projects from diverse, often underrepresented voices. She is also interested in reads that thoughtfully address mental health and learning disabilities as part of the story but not necessarily the main focus. She is open to non-fiction with a unique point of view and/or a platform-driven project.
In MG, she is eager to represent: An unforgettable voice and an uplifting take on the problems that middle-school readers face, especially if the story is told from a specific point of view that can act as a mirror, window, or sliding glass door into diverse experiences. She loves when authors tackle Big Truths in a heartfelt way. She is also on the lookout for memorable characters in action-packed fantasy adventures and humorous voices that can grow to become series juggernauts.
In YA, she would love to find: An unforgettable love story, a unique fantasy world, a delightful rom-com, and a tense thriller. She loves when authors are thoughtful about structure and voice; e.g. a ticking-clock timeline, a closed setting, a journal-entry format, Death as a unique narrator, and so forth. Ambitious projects with multiple commercial hooks and an empowering sensibility with feminist and social justice angles are a plus. She loves to advocate for authors from marginalized backgrounds and see their stories be published. As a voracious reader, Chelsea also falls head over heels for any story that can surprise her.
In the Graphic Novel medium, she looks for: Middle Grade and YA contemporary, fantasy, fractured fairy tales, unique retellings, and select historical/non-fiction projects if they have clear hooks. She loves when authors are mining their own experiences in an autobiographical or semi-autobiographical way. Hit her with side-busting humor or box-of-tissues feels. She has a soft spot for cats.
In Picture Books, she is highly selective, looking for writer-illustrators who can create a strong character, a clear conflict, and write with a humorous voice and/or a surprising twist at the end. Chelsea loves creators who understand the sense of community that being read a book aloud delivers. She is open to non-fiction if the story has multiple hooks and an evergreen, contemporary delivery.
In adult women’s fiction, Chelsea is extremely picky. She loves upmarket contemporary fiction with a feminist angle, a strong romantic thread, and/or a domestic thriller/mystery. Think QUEENIE, ELEANOR OLIPHANT IS COMPLETELY FINE, WHERE’D YOU GO BERNADETTE, AYESHA AT LAST, BIG LITTLE LIES, and WHERE THE CRAWDADS SING as examples of her taste.